Everything about Constantin Br Ncu I totally explained
Constantin Brâncuşi, or
Brancusi, (
February 19,
1876 –
March 16,
1957, ), was an internationally renowned
Romanian
sculptor, born in
Hobiţa,
Gorj, near
Târgu Jiu, whose sculptures blend simplicity and sophistication that led the way for
modernist sculptors.
Early years
Brâncuşi grew up in a village in Romania's
Carpathian Mountains, an area known for its rich tradition of
folk crafts, particularly ornate woodcarving. The simple geometric patterns of the craftsmen is seen in his mature works. His parents, Nicolae and Maria Brâncuşi, were poor peasants who earned a meagre living through back-breaking labor, and from the age of seven he herded the family's flock of sheep. He showed remarkable talent for carving objects out of wood. Strong-willed and determined, he often ran away from home to escape the bullying of his father and older brothers. At the age of nine Brâncuşi left the village to work at menial jobs in the nearest large town. At 13 he went to
Craiova where he worked at a grocery store for several years. When he was 18, impressed by Brâncuşi's talent for carving, his employer financed his education at the Craiova School of Crafts (Şcoala de Meserii). There he indulged his love for woodworking, taught himself to read and write, and graduated with honors in 1898.
He then enrolled in the Bucharest School of Fine Arts,where he received academic training in sculpture. He worked hard, and quickly distinguished himself as talented. One of his earliest surviving works, under the guidance of his anatomy teacher,
Dimitrie Gerota, is a masterfully rendered
écorché (statue of a man with skin removed to reveal the muscles underneath) which was exhibited at the
Romanian Athenaeum in 1903. Though just an anatomical study, it foreshadowed the sculptor's later efforts to reveal essence rather than merely copy outward appearance.
In 1903 Brancusi traveled to
Munich, and from there to
Paris. In Paris, he was welcomed by the community of artists and intellectuals brimming with new ideas. He worked for two years in the workshop of
Antonin Mercié of the
École des Beaux-Arts, and was invited to enter the workshop of
Auguste Rodin. Even though he admired the eminent Rodin he left the Rodin studio after only two months, saying, "Nothing can grow under big trees." who was also
Romanian, and referred
Isamu Noguchi to her
café in
Greenwich Village.
Brâncuşi was complex and rather mysterious, yet charming and gregarious. He was short and lively, wore a beard and simple peasant garb. His interests ran from science to music, and he was a talented singer and violinist with eclectic musical tastes. He was known for the traditional Romanian meals he prepared. A talented handyman, he built his own phonograph, and made most of his furniture, utensils and doorways. His worldview valued "differentiating the essential from the ephemeral," with
Plato,
Lao-Tzu and
Milarepa as influences. He was a saint-like idealist and near ascetic, turning his workshop into a place where visitors noted the deep spiritual atmosphere. However, particularly through the 10s and 20s he was known as a pleasure seeker and merrymaker in his
bohemian circle. He enjoyed cigarettes, good wine and the company of women. He had one child who he never acknowledged.
His work became popular in the U.S., however, and he visited several times during his life. World-wide fame in 1933 brought him the commission of building a meditation temple in India for Maharajah of Indore, but when Brâncuşi went to India in 1937 to complete the plans and begin construction, the Mahrajah was away and lost interest in the project when he returned.
In 1938, he finished the
World War I monument in
Tîrgu-Jiu where he'd spent much of his childhood. "Table of Silence", "Gate of the Kiss", and "
Endless Column" commemorate the courage and sacrifice of Romanian civilians who in 1916 fought off a German invasion.
The
Târgu Jiu ensemble marks the apex of his artistic career. In his remaining 19 years he created less than 15 pieces, mostly reworking earlier themes, and while his fame grew he withdrew. In 1956
Life magazine reported, "Wearing white pajamas and a yellow gnomelike cap, Brâncuşi today hobbles about his studio tenderly caring for and communing with the silent host of fish birds, heads, and endless columns which he created."
Brâncuşi was cared for in his later years by a Romanian refugee couple. He became a French citizen in 1952 in order to make the caregivers his heirs, and to bequeath his studio and its contents to the
Musée National d'Art Moderne in Paris.
He died on
March 16,
1957 at the age of 81 leaving 1200 photographs and 215 sculptures. He was buried in the
Cimetière du Montparnasse in Paris. Also located in that cemetery are statues carved by Brâncuşi for several fellow artists who died; the best-known of these is "Le Baiser" ("The Kiss").
Legacy
His works are housed in the
Museum of Modern Art (
New York) and in the
National Museum of Art of Romania (
Bucharest), as well as in other major museums around the world. The
Philadelphia Museum of Art currently has the largest collection of Brancusi sculptures in the United States.
A reconstruction of Brancusi's onetime studio in Paris is open to the public. It is close to the
Pompidou Centre, in the rue Rambuteau. He bequeathed part of his collection to the
French state on condition that his workshop be rebuilt as it was on the day he died.
Brâncuşi was elected post-mortem to the
Romanian Academy in 1990.
In 2002, a sculpture by Brâncuşi named "
Danaide" sold for
$18.1 million, the highest that a sculpture piece had ever sold for at auction. In May 2005, a piece from the "
Bird in Space" series broke that record, selling for
$27.5 million in a
Christie's auction.
(External Link
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Quotations
I don't aspire to be in fashion.
For what is in fashion, goes out of fashion....
If, on the contrary, your work is contested today, it doesn't matter.
For when it's finally understood, it'll be for eternity.
Create like a god, command like a king, work like a slave.
When we're no longer children, we're already dead.
The people who call my work 'abstract' are imbeciles; what they call 'abstract' is in fact the purest realism, the reality of which isn't represented by external form but by the idea behind it, the essence of the work.
We always want to understand something. But there's nothing to understand. Everything that you can contemplate here, in the atelier, only has one merit: that you're living it."
What is real isn't the external form, but the essence of things... it's impossible for anyone to express anything essentially real by imitating its exterior surface.
Selected works
Other works
Bust of a boy (1906)
The Prayer (1907)
La Sagesse de la Terre (1908)
Miss Pogany (1913)
Madame L.R. (1914-1918)
A Muse (1917)
Chimera (1918)
Portrait of Nancy Cunard (also called Sophisticated Young Lady) (1925-1927)
Le Coq (1935)Further Information
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